Three Up-and-Coming Designers On How They Use the iPad Pro to Bridge the Gap Between Analog and Digital Processes

When we founded Sight Unseen more than 15 years ago, our goal was to invite readers into the minds and studios of designers, in order to help readers understand how things are actually made. Though the site is about so much more now, we still get a perpetual thrill from learning how some of our favorite furniture pieces go from the wisp of a concept to a fully fleshed-out product. Much has changed within the actual design process in those 15 years as well, as new tools have completely transformed the way creatives work, and digital technology has evolved beyond our wildest dreams — icons are still made with a saw, but they're also made on a screen. We checked in with three contemporary designers to see how their process has changed over time, and how they're using tools like the iPhone, iPad Pro, and Apple Pencil Pro to bridge analog design processes and digital technology.
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Two of Our Favorite Woodworkers on Apprenticeships, Supportive Grandmas, and Learning the Rules So You Can Break Them

Rio Kobayashi and Luke Malaney each make sculptural furniture that exists somewhere between art, design, and carpentry. They're pieces that serve a function but at the same time question function: What should an object actually do? Where does its purpose lie? It’s a blurry line — or maybe not even a line at all. While they come from different backgrounds — Malaney is originally a Long Islander who lives in Brooklyn, while Kobayashi grew up in Japan and is currently based in London — they’ve arrived at a distinctively similar style and approach. Their work shares a playful and imaginative spirit, combined with a respect for longevity and integrity — objects that are well-made but also driven by curiosity, inventiveness, and experimentation. We suspected they’d have a lot to talk about — spoiler: they did! — so we wanted to introduce them and see where the conversation led.
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Week of April 21, 2025

A weekly recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: textiles galore, including new Madeline Weinrib rugs in dialogue with Rene Ricard at Emma Scully Gallery, a Su Wu–curated tapestry exhibition in Dallas, and woven paintings on view in Brooklyn.
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Is Bed Rotting the Biggest Trend to Come Out of Milan?

I'm slightly wary of what I'm about to write. After all, the last time I talked about a design trend reflecting our collective desire to escape, we plunged, not a month later, into the pandemic — which was certainly an exit from contemporary life of sorts. But while scrolling through Instagram during this month's Milan furniture fair, I began to notice an inescapable trend along those same lines: Beds were absolutely everywhere.
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Frederik Fialin on His New Tubular Metal Collection: “We All Like to be Comfortable, But Other Things Are Often More Important to Me”

Danish designer Frederik Fialin understands the idea that you have to know the rules before you can break them. He’s certain something is working not only when it’s functional and beautiful, but when it makes him laugh. It’s a way of taking the work seriously, without taking yourself too seriously, and it may have something to do with how Fialin got started, with a classic cabinetry apprenticeship. “I didn’t particularly enjoy it at the time, but now I see why everything has to be done in a certain way. I consider this, now, to be possibly the greatest foundation of my professional life that I could ever have asked for — especially because I can use, remix, and warp this never-ending chase for perfection that dominates the environment. There’s reason in the madness.”
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Crumpled Silver & Pillowy Stone — This Cult Favorite Jeweler’s First Furniture Collection Explores Some Familiar Themes

There’s a creative tension that animates the work of Anna Jewsbury, founder and artistic director of Completedworks in London. It centers on the push and pull between “ornament and practicality,” as she puts it, exploring a balance of function and frivolity. What often results are pieces, loaded with character, that make you look twice — if not again and again — trying to figure them out. Completedworks began in 2013, with jewelry, before delving into ceramics and homewares. But most recently, Jewsbury decided to branch out even furniture, launching the brand's first-ever collection at Villa Borsani with Alcova in Milan earlier this month.
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Week of April 14, 2025

A weekly recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: stainless-steel urinal sculptures, a coral-colored house balanced on a steep site, and fruit-decorated furniture that aims to tackle the stigma of eating disorders.
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La Double J’s New Milan Offices Are, Fittingly, a Five-Floor Explosion of Color and Pattern

Erstwhile journalist and lifelong tastemaker JJ Martin was way ahead of the game on maximalism. Back in 2015, the Milan-based American expat was founding her housewares and clothing company La Double J, and though her target audience at the time was rather different from ours — Europe's social set — she built a colorful, joyful brand that has since won over pattern-lovers of all stripes, including yours truly. To mark La Double J's ascension into fashion and design's popular vernacular, as well as celebrate its 10th anniversary, she opened the doors during last week's Salone to its impressive new home in Milan, which is just as exuberant as its offerings.
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In Milan, Objects of Common Interest and Marsèll Team Up on an Exhibition That Uses Materials as Spatial Interventions

When the Italian boutique leather brand Marsèll opened its showroom a year and a half ago on Via Spiga, Milan's luxury shopping street, it was an exercise in restraint — similar to the shoes and bags on offer, the interior, by Berlin's Lotto Studio, took a minimal approach to form, with almost all the emphasis on the interplay of high-end natural materials like glass, stone, stainless steel, and walnut. That elegant spareness has made it not only the perfect visual expression of the brand, but also the perfect neutral backdrop against which to stage designer interventions during the Milan furniture fair. Last year Marsèll welcomed Gonzalez Haase AAS into the space, and this year, Objects of Common Interest — the New York– and Athens–based practice of Eleni Petaloti and Leonidas Trampoukis — did the honors, with a two-floor installation called Adaptive Ground that "explores the relationship between space and material."
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Week of April 7, 2025

A weekly recap to share with you our favorite links, discoveries, exhibitions, and more from the past seven days. This week: a major new art talent on view in Los Angeles, a new Scandinavian vintage design showroom in Chelsea, and the print version of a satirical newsletter on the intersection of dating and design. 
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