Few mainstream filmmakers are as versatile as director George Miller. The man is responsible for multiple beloved movie franchises and some of the most innovative filming techniques ever applied to the screen – he’s a true pioneer of the cinematic arts, and his filmography is one of the most interesting bodies of work you’re likely to see. Miller has displayed powerful control over a vast range of tones, styles, and genres throughout his career, and that speaks to his standing…

Cédric Klapisch, réalisateur de “La venue de l’avenir” présenté Hors Compétition au Festival de Cannes, était l'invité de 9h20.

The girls are back in town... Showgirls is turning 30 this year!

The 23rd edition of the Zagreb Film Festival will take place from November 10 to 16. Once again, the festival will feature a carefully curated selection of films by emerging international and domestic filmmakers in its competition program.

Vol. 25, Paper 5 of Caméra Stylo (The Cinema Studies Undergrad Journal)

The 38th Tokyo International Film Festival (TIFF), to be held from October 27 to November 5, 2025, is proud to collaborate for the ninth year with Children Meet Cinema, which runs youth filmmaking workshops, on TIFF 2025: Teens Meet Cinema, a production workshop for teens. A special project of the festival’s Youth Section, it strengthens one element of TIFF’s goal to foster a future for film by cultivating young talent and cinema enthusiasts.

In noir, light is fleeting—but darkness tells the truth.

When trouble brews at The Odyssey, you might have a run in with . . . The Projectionist!

"We are in the future. Here is tomorrow, which reigns today on Earth." - René Char

A trailer produced by Ciné+ OCS that revisits the most memorable images from La Semaine de la Critique, set to an original score composed by the artist Saycet.

Tross vårværet og tilbring mai i kinomørket når vi byr på både en ny dokumentar om Hayao Miyazaki og flere av familiefavorittene til Studio Ghibli på storskjerm!

For Vivid Sydney 2025 we’re stepping into the mind of Greek avant-garde cinema pioneer Antoinetta Angelidi, presenting all four of her surreal, dream-like, hypnotic feature films for the first time in Australia over four unforgettable nights: The Hours: A Square Film (1995), Topos (1985), Idées Fixes/Dies Irae (1977) and Thief or Reality (2001). This is cinema as a waking dream, where narrative structures fracture and reassemble, challenging the viewer's perception of time, space and self.